About Black Elk-Neihardt Park
Black Elk-Neihardt Park in Blair, Nebraska, is a city park named for
Black Elk, an Oglala Lakota, and John G. Neihardt, Nebraska’s Poet
Laureate. Neihardt is the author of Black Elk Speaks, which he
wrote after a series of interviews with Black Elk in 1931 on the Pine
Ridge Reservation in South Dakota, where Black Elk lived.>>
More about Black Elk
>> More about John G. Neihardt
http://www.NeihardtCenter.org
>> Letter from Dr. John G. Neihardt endorsing
Black Elk-Neihardt Park
Bill Thomsen
The park features mosaics illustrating the visions of Black Elk as
interpreted by the late F. W. “Bill” Thomsen, professor emeritus of art
at Dana College.
Prof. Thomsen became acquainted with Dr. Neihardt in the 1970s, and
it was Neihardt who suggested that Thomsen illustrate scenes from Black
Elk Speaks. The pastels that Thomsen created were subsequently
translated into the mosaics in this park.
>>
More about Thomsen
Tower of the Four Winds
The most
prominent mosaic is on the Tower of the Four Winds. This 45-foot tower
of Cor-Ten steel, which is illuminated at night, displays a colorful mosaic of approximately 50,000
pieces. The mosaic illustrates a recurring vision that Black Elk first
had as a nine-year-old child.
In this vision, he said, he saw the universe as a hoop holding all
living things. The hoop was bisected from east to west by the black
road, the road of worldly difficulties, and from south to north by the
red road of spiritual understanding. A sacred tree, full of leaves,
blooms, and singing birds, grew where the roads cross, Black Elk said,
and “that place is holy.” >>
More about the Tower of the Four Winds
As an adult Black Elk had this vision again at the time of the Ghost
Dance, shortly before Wounded Knee. “Then they led me to the center of
the circle,” he said, “where once more I saw the holy tree all full of
leaves and blooming. But that was not all I saw. Against the tree there
was a man standing with arms held wide in front of him. . . . I could
not tell what people he came from. He was not a Wasichu [white man] and
he was not an Indian. His body was strong and good to see, and it was
painted red. . . .While I was staring hard at him, his body began to
change and became very beautiful with all colors of light, and around
there was light. He spoke like singing: ‘My life is such that all
earthly beings and growing things belong to me. . . .’” (Quotations are
from Black Elk Speaks.)
Pedestal Mosaics
"Mosaics of the Four
Quarters of the World"
Four smaller mosaics on pedestals with
Prof. Thomsen’s interpretations of Black Elk’s descriptions of the
four quarters of the world stand – in north, east, south, and west
positions -- along a concrete path in the shape of a hoop representing
Black Elk’s “hoop of the world”; a cottonwood tree (cottonwoods were
considered sacred by the Lakota) grows near the center of this hoop.
>>
More about the the Pedestal Mosaics
Interpretive Garden
An
Interpretive Garden at the base of the Tower of the Four Winds
explains the symbolism in the pedestal mosaics and the Tower mosaic.
The park was established by the city of Blair as “Black Elk-Neihardt
Park” in 1974. The picnic pavilion was dedicated in 1976, this country’s
bicentennial year, and the Tower of the Four Winds was dedicated in 1987.
The Interpretive Garden was dedicated in October 2007.
>>
More about the the Interpretive Garden
|